Director:
Ramón Barreiro
Argument and story-board:
Ramón Barreiro
Director of production: Pío Ballesteros
Director of photography :
César Benitez
Music : Emilio Lehmberg
Dressing: Cornejo
Making-up: Carlos Nin
Seting: Canet Asensio
Editing: María Arroyo
Studios: CE.A.
Laboratory: Arroyo
Producers: HISPANIA ARTIS CIMEX
Distribution: HISPARTIS - COSIMO CAUZO ARPA-AUVERNY
Casting:
Pototo : Eduardo Ruiz de Velasco
Boliche: Manuel Bermúdez
and company:
Maribel Alonso, Manel Requena,
José Jaspe, Pablo Alvarez
Rubio, Jose Morato, Pacita Tomás,
Antoñita Romero, the trio Calaveras and the quartet
Drims, Maria
Fernanda Ladrón de Guevara, Amparito Rivelles, Maruchi
Fresno, Lupe
Sino, Alfredo
Mayo, Jorge Mistral, Fernando
Fernán Gómez, Xan das Bolas,
Ángel
de Andrés and the rest...
35 mm - Black & White
Original duration : 88 minutes
Premiere in Madrid (Cinema Imperial) : 1949 - 01- 10
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The
story
Pototo
(Eduardo Ruiz de
Velasco) and Boliche (Manuel Bermúdez) have
inherited on condition that
they produce a radio programme. For their radio show they receive
Spanish stars
as Amparito
Rivelles and Alfredo
Mayo, but also a lot of other actors and artists as Lupe
Sino, Fernando
Fernán Gómez, Ángel
de Andrés.
Remarks
1. - The film
It is a comedy with numerous
musical sequences made in a very modern conception and which shows very
well
the importance of the radio at the end of the forties in the life of
every day
for the Spaniards. The
film
"Pototo, Boliche and Cy" permits also to discover a lot of stars as
Eduardo
Ruiz de Velasco and Manuel Bermúdez are
the recurrent comic figures
of a very amusing story with traditional Spanish music but also jazz
with
groups like «Trio calaveras" and "Cuarteto Drims".
Unfortunately now it is
almost impossible to see this
film.
2.-The
leading characters of the film are:
2.1.-Eduardo
Ruiz de Velasco (The man with
the moustache)
Born in
Madrid (1919), he was about 15 years old when he began as
accountant’s
assistant in the station “Radio Madrid”. 6 years
later, he was journalist in the
same station which became the Spanish National Society of Radio
broadcasting
(SER) and he was in particular as the speaker of a show for children.
He played
a clown named Pototo and had for friend Manuel Bermúdez
alias Boliche. And in
1948 The Spaniards with all their family discovered the two
comic
speakers in the cinema thanks to the film “Pototo, Boliche y
Compañía", titled
also in the programmes we have in our collection: "Fiesta en el aire:
Pototo, Boliche y cía".
This film has been the unique cinematographic experience for Eduardo
Ruiz de
Velasco, who has been later and during 35 years in charge of the SER in
Bilbao,
town where he died in 1995. He was also mad about jazz and created jazz
clubs. He
wrote two books about journalistic misprints and promoted leisure
activities.
2.2. - Manuel
Bermúdez (The fat little man)
As Eduardo Ruiz de Velasco he played in his first film
« Pototo, Boliche y
Cia » in 1948 but he has had a cinematographic
career more important with about
10 roles in comedies, dramas or musical films and even a spaghetti
western film,
« Los cuatro salvajes/Ringo, il volto della vendetta
» (1967) by Mario Caiano with
Anthony Steffen. For
his last performances
in front of the cameras, he played in two short films in Galician
languages, "O
cadaleito" (1976) and "Fendetestas" (1975) adapted from Wenceslao
Fernández Flórez’s
novel. He dubbed also two cartoons.
3.-
Ramón Barreiro: the director of "Pototo,
Boliche y Cia" (1948)
Ramón Barreiro Vázquez
(Pontevedra - 1908) has been
first cameraman before beginning during the Spanish civil war his
career as
director of two short documentary films in 1937, "Velázquez"
and
"Madrid heroico", a film which is now still missing but was in the
listing of the productions filmed in Republican area, by the Spanish
Labour
National Confederation (CNT).
In 1944 Barreiro made two episodes of the
series “Spanish retable, ten minutes
with…” (About Benlliure and Álvarez de
Sotomayor) before directing a parodic
western film " El sobrino de don Buffalo Bill/ Mr
Buffalo Bill's nephew " with Carlos Muñoz &
Rosita Yarza. Not prolific
but eclectic, Ramón Barreiro, made in 1946 "El otro
Fu-Man-Chú", again
with Carlos Muñoz & Rosita Yarza, then "El pirata
bocanegra" with
José Jaspe. He finished his career of director in 1948 with
his last and fifth fiction
feature film, "Póker de ases", with Manuel Luna
and Isabel
de Pomés. In 1962 he will write the story-board of
a “spaghetti-chorizo
western”, Torrejón City" directed by
León Klimovsky with Tony Leblanc and
Antonio Garisa.
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