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Alfredo Mayo -
1972
My dear killer

Original
title: Mio caro assassino
Other titles: Sumario
sangriento de la pequeña Stefania - Folie
meurtrière

By Tonino
Valerii
Story
board : Franco Bucceri, Roberto Leoni,
José
Gutiérrez Maesso, Tonino
Valerii
Argument : Franco Bucceri & Roberto Leoni
First assistant : Roberto
Leoni
Sd assistant : Remo de
Angelis
Photography
director : Manuel Rojas
Artistic
direction : Claudio
Cinin & Francisco Canet
Music:
Ennio Morricone
Musical direction : Bruno
Nicolai
Script:
Renata Franceschi
Administration : Carlo
Giovagnorio & Anacleto Amadio
Cameraman : Arcangelo Lannutti
Sound : Pietro Ortolani
Fixed photographies : Angelo Novi
Making-up : Vittorio Bisseo
Hairdressing : Marisa Fraticelli
Dressing
: Fiorenzo Senese
Editing
: Allesandro Gabriele y Sergio Fraticelli
Setting :
Scandinaviska Kimpaniet Arrementi
Edition
in english : Cinitalia -
Roma
Filmed
in Studios INCIR DE PAOLIS - Rome
Casting:
George
Hilton (Superintendant Luca Peretti), Salvo Randone (Policeman
Marò),
Marilù Tolo (Doctor Anna Borgese), William
Berger (Giorgio
Canavese), Patty
Sheppard (Paola Rossi, the school teacher), Manuel Zarzo,
credited as Manolo Zarzo (Policeman
Bozzi) , Alfredo Mayo
(Beniamino Moroni), Piero Lulli (Alessandro
Moroni),
Dana Ghia (Eleonora Moroni),
Helga
Liné (Mrs Paradisi), Tullio Valli (Oliviero Moroni), Dante
Maggio (Mattia Guardapelle), Dana Ghia, Monica Randall (Oliviero
Moroni's daughter),
Corrado Gaipa (Chef of the company of insurance), Daniela
Rachele
Barnes credited as Lara Wendel (The littel girl Stefania),
Francesco di Federico, Lola
Goas (Adele Rudigiani), Sergio Mendizabal, Luigi Antonio Guerra (A
witness), Enzo Fiermonte (Chief of the cranedriver),
Antonio Spaggatini, Irio Fantini, Sofia Dionisio
(Moroni's housemaid ),
Elisa Mainardi (Other Moroni's housemaid), Anna Maria
Chio, Guerrino Crivelli (The Barman), Andrea Sotti
(A witness), Irio Fantini,
Francesco Di Federico (Vincenzo Paradisi), Sergio Mendizábal, Annamaria
Chio (A witness), Antonio
Spaccatini, Giuseppe Marrocco/uncredited (A policeman),
Jean-Pierre Clarain/uncredited (A friend of the family Moroni), Pietro
Ceccarelli/uncredited (Giorgio
Canavese''s bordyguard
), Remo de Angelis/uncredited (Mario Ansuini) ,
Sergio Testori/uncredited (One of the kidnappers).
Producers:
B.R.C.
PRODUZIONE FILM S.r.l.
KRAMOT CINEMATOGRAFICA
S.r.l.
TECICA.
Madrid
Distribution
in Spain by:
EXCLUSIVAS
SANCHEZ RAMADE S.A.
35
milimeters - Colour - Scope
Original
duration : 94 minutes
Premiere in Italy: 1972/03/20
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| 1.- The story |
The little girl Stefania Moroni (Lara Wendel) has been kidnapped and
held to ransom. Her father Alessandro Moroni (Piero Lulli) has accepted
to pay a ransom but he has disappeared. And over a year
later,
the mystery remains in spite of the policy investigation. The family
decides to work with an insurance investigator (Corrado Gaipa) but
quickly he is decapitated by a bulldozer. It seems to have been a wrong
manoeuvre. His corpse is found in a local quarry and the driver has run
away.
The superintendent Luca Peretti (George Hilton) is put in charge of the
case. He is helped by the “Maresciallo”
Marò (Salvo
Randone) and the “brigadiere” Bozzi (Manolo Zarzo).
Luca
Perreti has a girl friend the doctor Anna Borghese (Marilù
Tolo)
but no more she can tolerate the live he has and she wants to leave
him. The superintendent sees the chief (Enzo Fiermonte) but he knows
nothing. He sees also the widower of the insurance investigator, (Helga
Liné), and the ex-school teacher of the little Stefania
(Patty
Shepard). She will be assassinated with an electric fret saw the
corpses of Stefania and her father are discovered in a sort of
blockhaus in an unpopulated area, where they have sequestered and they
died because of hunger.
Peretti carries on his inquest with a king of homeless who lives near
the blochaus and an old woman who helps him sometimes He sees also the
members of Moroni family: Eleonora Moroni (Dana Ghia) Monica Moroni
(Monica Randall), Oliviero Moroni (Tullio Valli), the brother
of the dead Giorgio Canavese (William Berger), a brother in law,
and Benianimo Moroni (Alfredo Mayo), another brother of the
dead, a strange artist who has a penchant for pre-pubescent
models and who says he loved very much his niece. Of course
he seems the most suspected.
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The
superintendent (George Hilton) is interrogating Benianimo Moroni (
Alfredo Mayo ), Stefania's uncle
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| After two other murders, Luca
Peretti finally discovers the real guilty
person thanks a drawing which has been made by the little Stefania. |
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| The
superintendent Luca Peretti sees for a last confrontation all
members of Moroni Family |
The guilty person is discovered
thanks to a drawing of the little Stefania
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2.- Remarks
2.1.- The director Tonino Valerii
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The director of this
hispano-italian coproduction the italian cineast Tonino Valerii. He
begun his career as Sergion Leone ‘s assistant for especially
"Per un pugno di dollari (1964) with Clint Eastwood. Then as director
he made three spaghetti western films or more exactly chorizo spaghetti
western films because these european films were generally filmed in
Spain, country where Valerii had known José
Gutiérrez Maesso, one of the co-writter of “ de "Folie
meurtrière". Valerii ‘s first are :
- "Per il gusto
di ucciderre/ Cazador de recompensas /For the Taste of Killing/Lanky,
l'homme à la carabine" (1966) with Craig Hill ;
- "Giorni dell'ira /Le dernier jour de la colère/Day of Anger " (1967) with Lee van Cleef et Giuliano Gemma;
- Il prezzo del potere/La muerte de un presidente/ The Price of Power Texas (1969) with Fernando Rey.
And
even if the " european western" films will be his specification, Tonino
Valerii has adapted in 1970 Milena Milani ‘s novel which had been
published in 1964 and been very controversial, " La Ragazza di nome
Giulio ", the story of orphan girl who was been named as her deceased
father and raised by a abusive mother and an authoritative children
nurse. And when she is about 16 years old she has difficulties to
identify the “way” of her sexuality between male or female
partners.
In 1971 Valerii decided to make with « My dear killer »,
for the first and last time, the horror and detective specific Italian
kind of films named “Giallo”. We can note than when the
premiere of the film, Italy was bereaved by the tragic sequestration of
a child, and the horrible and real news didn’t help to make the
film in spite of the fact, of course, the making of « My dear
killer » had been realized without connection with this tragedy
and almost one year before.
Later Tonino Valerii will make again « western » films as
in particular the very famous « Il mio nome è Nessuno/ Mon
nom est personne/ My name is nobody/ Mi nombre es ninguno »
(1973) with Terence Hill and Peter Fonda. He will direct too some war
films and TV films. His last film will be realized in 1997, that is
about fifteen titles in thirty years of career.
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2.2.- The "giallo"
"Giallo"
means yellow in Italian. It 1929 "Giallo became the synonym in Italy
of investigation novel when the publishing Italian
establishment Mondadori, diffused cheap investigation novels, often
translated from North - American or English books, in a specific collection with
yellow coverings. The success of this collection will be more important
after the Second World War and until the sixties.
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New edition in 1932 of the first novel published by Mandadori in 1929 "La strana morte del signor Benson" from
"The Benson murder case" (1926) by S.S. van Dine |
Second title published in 1929
"L'uomo dai due corpe"
from "Captains of soul" (1922) by E.Wallace
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From the novels to the films
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In
the sixties some Italian directors adapte titles of the Editions
Mondadori. The word "Giallo" is used to speak about a new Italian
cinema which mixes police inquests, sequences of terror and
horror, sex and blood, a very specific music, the sequence of the
murder with a black glove, a very cutting edge weapon and again a
lot of hemoglobine.
Directors as Mario Bava, Umberto Lenzi, Lucio
Fulci and Dario Argento are the specialits with in particular "La
Ragazza che sapeva troppo" (Mario Bava) - 1963, and "L'uccello dalle
piume di cristallo" (Dario Argento)- 1970. Tonino Valerii with " My dear Killer " in 1972 joins them.
But
we don't finish this "aside" about the "giallo" whithout saying that in
1925 the Frenchy Albert Pigasse founded in Paris a publishing
house named "La librairie des Champs Élysées". Two
years he created a collection of detective novels "Le masque" .
Its first numbers ha a green front cover. This front cover became
yellow in 1928...So the Mondadori giallo was o wasn't the first yellow
detective novel ?
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2.3.- The actors in "My dear Killer"
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The
main role of the Superintendant Luca Peretti is played by the
beautiful and phlegmatic Jorge Hilton (also known as George Hilton), born Jorge Hill Acosta y
Lara, in Uruguay, in 1934. First, theater actor in his birth
country, he began his career in the cinema in Argentina. But he really
got success with the "chorizo-spaghetti" westerns, these films
made in Spain by generally Italians directors.
In "My dear Killer" (1972) by Tonino Valerii, we think he is very good in an
incomunicative but tenacious and loyal police officier.
In
the casting, because of the coproduction, we have a lot of Spanish
actors. Except for Jorge Hilton unfortunately the other and very
numeros roles aren't very meatty. And in particular the very famous
Italian theatre actor Salvo Randone, who plays one of the assistants of Peretti, can't show his great talent.
Tge
female roles are in the same level, as for exemple, this
of Marilù Tolo (The doctor, girlfriend of the
superintendant Peretti) who seems to be here to only show herself
undressed...
Alfredo
Mayo,
of course, is perfect as the trouble and disquieting uncle. And we have
no doubt about his culpability when we see him gazing at a little girl
in his painter studio. Moreover the actor will play various roles of
the same tendance in the seventies. |
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2.4.- What we think about "My dear killer"
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We aren't the specialists of the "gialli"
which are for us too violent and perverse. So we let our readers and
websurfers discover other web sides, more documented and verbose
sites about that kind of cinema.
But "My dear killer" is for us a "giallo" which remains moderated
, so it can be seen by sensitive spectators as us! . The suspense
remains until the end even if the weapons are really out of propertion
but original. And once in a while does not harm, the police officer is
an attractive officer, and it is a change if we compare him the
Maigrets or
worse the Derricks we contantly see in the conventionnal television serials !
The
title "My dear Killer" direct translation of the original Italian title
"Mio caro assasino" is, maybe, better than the French one
"Folie
meurtrière" (Deadly folly) while the Spaniards have preferred
to emphazise the case of the little girl and the murders :"Sumario
sangriento de la pequeña
Stefania".
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Unfortunately we haven't seen "My dear killer" in its original Italian version or in Spanish, but only in its DVD version,
recently published in the collection
"Giallo -
Neo publishing". We have found the French dubbling was execrable
- cartoon lurid voices for the actresses. We have preferred the
English dubbing!
In spite of this, the DVD proposes a very interesting interview
with Roberto Leoni, who was the direction assistant for "My dear
killer".
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| File written : 2008-09-20 - Last correction : 2008-09-20 |
| www.don-alfredo-mayo.com
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